Flamingo Boy Award-winning author by Michael Morpurgo (author) (UK edition)

This is a landmark new novel from the nation’s favourite storyteller, set in the unique landscape of the Camargue in the South of France during WW2. There, a young autistic boy lives on his parents’ farm among the salt flats, and the flamingos that live there. There are lots of things he doesn’t understand: but he does know how to heal animals. He loves routine, and music too: and every week he goes to market with his mother, to ride his special horse on the town carousel.

But then the Germans come, with their guns, and take the town. A soldier shoots a flamingo from the sky, and it falls to earth terribly injured. And even worse is to come: the carousel is damaged, the horses broken. For this vulnerable boy, everything is falling apart.

Only there’s a kind sergeant among the Germans – a man with a young boy of his own at home, a man who trained as a carpenter. Between them, perhaps boy and man can mend what has been broken – and maybe even the whole town…

Product Details

Catalogue number

326 in Primary 2024

Format

Paperback

ISBN

9780008134655

Date published

September 6th, 2018

Accelerated Reader

AR book level: 5.8; Middle years; 9.0 points

Other details

288 pages

Condition

New

UK edition

Author/Illustrator

Michael Morpurgo

Michael Morpurgo is a master storyteller, weaving captivating stories full of drama and intensity that are coming to be regarded as true classics. Exploring the most profound subjects with a light yet powerful touch, his books tell unforgettable stories in simple, direct words.

Michael Morpurgo discovered his talent for writing while working as a teacher. “We had to read the children a story every day and my lot were bored by the book I was reading. I decided I had to do something and told them the kind of story I used to tell my kids – it was like a soap opera, and they focused on it. I could see there was magic in it for them, and realised there was magic in it for me.”

Living in Devon, listening to Mozart, and working with children have provided most of the stimulae Michael needs to discover and write his stories. He spends about half his life mucking out sheds with the children, feeding sheep or milking cows; the other half he spends dreaming up and writing stories. “For me, the greater part of writing is daydreaming, dreaming the dream of my story until it hatches out – the writing down of it I always find hard. But I love finishing it, then holding the book in my hand and sharing my dream with my readers.”